You can now RSVP via eventbrite.com.
You can now RSVP via eventbrite.com.
You can now RSVP via eventbrite.com.
Seeds and Soul: Indigenous Cultural Exchange and Festival in Huichian, occupied territory of the Ohlone, now known as Oakland.
By Dancing Earth and Audio Pharmacy Prescriptions
On October 24, 2015, in honor of Indigenous Peoples Day, Dancing Earth will team up with Audiopharmacy Prescriptions Collective to bring you about the Seeds & Soul Indigenous Cultural Exchange & Festival. The free festival will provide a creative, inclusive and welcoming environment where art, dance, spoken word, and music will be modeled as tools for community resilience and social change to raise awareness about issues, such as environmental sustainability, which affect Native and non-native peoples.
SEEDS & SOUL is an indigenous/women-led festival harnessing the power of the ARTS and CULTURAL EXCHANGES to BRIDGE Bay Area indigenous communities & allies
The festival will help celebrate the diversity of indigenous identities, provide a platform for critical dialogue, build unity and alliance among communities, and strengthen resilience in these times of rapid social and environmental change. We hope to enliven and indigenize the outdoor and indoor spaces, and animate the area with indigenous intention rooted in honoring the original peoples of the San Francisco Bay Area. We will incorporate tribal philosophies about relationships and treaty-making as examples of reciprocity and responsibility in caring for (not just inhabiting and using) place.
The festival, scheduled for the day between the Annual Indigenous People’s Day Pow-Wow in Berkeley and the Annual Indigenous Peoples’ Sunrise Gathering on Alcatraz, will feature local independent musicians, DJs and performers, as well as indigenous arts and community vendors. Audiopharmacy Prescriptions will also create an organic-interactive art installation based on the themes of the festival.
Seeds & Soul would like to invite indigenous culture-carriers, as well as social justice and environmental activists, to share their developed responses to environmental catastrophes. Those strategies can serve as models for the communities working in the arts, health and wellness, and the food industry. For us, decolonization is inseparable from the critical work of cultural and societal change, healing, and the seeding of hope and renewal in our journey towards empowered indigeneity.
After The Fort Mason Center Presents, Performance Series rejected our proposal earlier this year, we decided to produce the festival ourselves. Empowered by communities who believe in this project and supported by those who have already been working at the forefront of this movement, we’ve raised $15,775 through Hatchfund.org donations. The festival’s location has yet to be announced. Desired locations include Joaquin Miller Park and Lake Merritt Park in Oakland.
We want to center activities that invite active participant engagement in a range of activities, including dance, movement, music, and spoken word. In addition, it will build upon previous panels, performances, and workshops given by Dancing Earth, Audiopharmacy Prescriptions, and other community-based organizations. We will facilitate respectful cultural knowledge and history exchanges to strengthen bridges among indigenous peoples of the San Francisco Bay Area and non-natives. This is an invitation to all those who are journeying to understand and overcome the violence that colonization continues to have on the psyche and spirit of indigenous peoples. All of the festival activities will aim to deepen our connectedness to ourselves, each other, our ancestors, and to Mama Earth, that’s by the people and for the people.
Significance of its Date
The festival is scheduled to happen on the day following Berkeley’s annual Indigenous Peoples’ Day Pow Wow, and the day prior to the yearly Indigenous Peoples’ Sunrise Gathering on Alcatraz. Founded in 1992 in the San Francisco Bay Area, Indigenous Peoples’ Day is an alternative to Columbus Day. Indigenous Peoples’ Day is celebrated throughout the U.S. and raises awareness about Native peoples’ histories, cultures, and traditions. The holiday highlights Native peoples’ resilience and resistance, which has been voiced in various ways, including art, activism and performance. October, which is also Filipino American History and Heritage Month, is a lively month for celebrating the rich cultural diversity in the U.S.
Collaborators, Organizers and Their Intention
Seeds & Soul is organized and led by a group of inspired of Indigenous women (and allies), dedicated and courageous everyday people whose paths have crossed to support indigenous cultures and cultivate feminine wisdom: Rulan Tangen, founding artistic director of Dancing Earth Creations; Joana “love/speak” Cruz, operations manager of the Audiopharmacy Prescriptions Collective; and Javier Fresquez, Dancing Earth company member and admin.
We believe these to be pivotal elements for revolutionary community resilience and social change. The Indigenous Women’s leadership of Dancing Earth and Audiopharmacy Prescriptions are brought together by:
Potential community collaborators on the festival include: American Indian Contemporary Arts, Bangka Journey Project (Pomo/Pilipino Cultural Allies), Rooted in Community, Northern California Permaculture Convergence, Dance Zone of Cupertino, SNAG: Seventh Native American Generation, Precita Eyes Mural Arts Center, Bay Localize, Access Via Exposure, Capoeira Ijexa, Bissap Baobab Village, The N.E.S.T. of Forestville, Bela Alma Dance Collective, Eyes Opened Media + Design and ReimagineRP&E.
We are deeply humbled by the amount of support that we received throughout this crowdfunding campaign from people all over the nation — from all over California to New Mexico, Massachusetts, Hawaii, Seattle, Arizona, DC, Oregon, Maryland, Minnesota, New York, Illinois, North Carolina, Vermont, Florida, Colorado, and even all the way from Canada, the UK and Fiji!
If you’d like to donate, please give directly to the Dancing Earth Paypal. Please indicate “SEED & SOUL DONATION,” your name, contact info, and the amount you are offering.
However, there are many ways to engage and contribute! We greatly appreciate support in the form of service and in-kind donations, volunteering, media editing, office supplies, PR and Marketing, transportation, tech support, artistic supplies (incl. fabric for costuming), sewing skills, heirloom seeds, a bicycle-powered sound system, and creative gifts from inventive types. “By The People” means you can join the collaboration! We imagine a fluid and horizontal leadership structure for this festival, with indigenous women (and conscious allies) at the core, a diverse steering committee, as well as community leaders and ambassadors bringing a wide spectrum of communities to sit at the collaborating circle.
If you or your organization is interested in learning more about how to collaborate with us, email us at: firstname.lastname@example.org. For more information, visit facebook.com/seedsandsoulfestival. Dancing Earth spins, stomps, and spirals into life on the world’s dancing grounds as a collective of intertribal indigenous dance artists, under the leadership of internationally respected choreographer Rulan Tangen. Audiopharmacy Prescriptions Collective is an international art collective and live world hip-hop ensemble that has been making community-minded art and music together since 1994.
Interview with Joana Cruz
By Christine Joy Ferrer
Source: Race, Poverty & the Environment
On October 24, 2015, in honor of Indigenous Peoples Day, Dancing Earth will team up with Audiopharmacy Prescriptions Collective to bring about the Seeds & Soul Indigenous Cultural Exchange and Festival in the San Francisco Bay Area. Joana Cruz is a lead organizer for the Seeds & Soul Cultural Exchange Festival and the operations manager for Audiopharmacy Prescriptions Collective.
Christine Joy Ferrer: So what was it that motivated you to put together the Seeds & Soul Festival?
Joana Cruz: For me, Seeds & Soul is an organically evolving vision that is still creating itself, following my intuition on what’s being presented to me. Maybe six or seven years ago, the demographics of San Francisco started really changing. Most people of San Francisco are open-minded, willing to bring in something new to the city. It’s part of the city’s charm and appeal. When the tech industry revival happened and made its base in the Bay Area, it brought people and policies that promote capitalistic initiatives that cater to them. Rent and cost of living have sky-rocketed, gutting the city of its diverse culture and displacing thousands of people, mostly the elderly, families, artists, and people of color. I rapidly started to understand gentrification, its roots and history, how it manifests issues about racism and classism, and I realized displacement has been a part of this capitalistic model of society. I learned more about the original people living in the Bay Area prior to the colonization of the mission systems and urban sprawl. And I realized that this lack of acknowledgement and respect for existing cultures in making way for the needs of the colonizer is a cycle that needs to be addressed and changed.
As a decolonizing Filipina American, I’ve come to learn that not only do I have to re-learn and re-connect to what it means to be Pinay, I also have to learn how to be a dweller in this land my family and I now call home. Part of that learning is re-educating myself on California history by having a better understanding of local Native history and experience. This place where I reside, now called the San Francisco Bay Area, is Ohlone territory. The Ohlone people, a diverse group of indigenous people with various languages, customs and practices, live up and down the coast of Northern California from the northern tip of the San Francisco Peninsula down to Big Sur in the south, and from the Pacific Ocean in the west to the Diablo Range in the east. The Spanish colonization by means of the Catholic Mission systems, then the Gold Rush and creation of the state of California, systematically worked on erasing the Ohlone people and their existence. Many people even call what has happened to the Ohlone, genocide.
But they are still here. Breathing, living, working, raising families, creating and fighting hard every day to revitalize their culture, to preserve their sacred sites, and to protect and sustain the environment. There are rich histories, varying from tribe to tribe, of the Ohlone peoples that our schools dare not share with the masses. There are indigenous teachings practiced to this day that prioritize the importance of living in harmony and in balance with the land. There are teachings connected to the importance of being healers of the land, ourselves and each other. The colonial past that our text books and our current society glazes over actually works against us today. The lack of recognition of these people, their experiences and struggles, as well as their ways of living and ideas on how to sustain the land we call home today need to be brought to light.
There is so much happening all over the world—overt and covert wars, kidnapping, slavery, genocide, natural and unnatural disasters, climate change, water rising and drying simultaneously, natural resources being extracted by companies that create more and more waste and destruction—and I can’t help but think about what’s going to happen to our world and to future generations. It must be the Mama in me. But even with this dirty laundry list of negative human impact, what’s hopeful is that I’ve seen how people are activating to be more aware and conscious of our interconnectedness and working to create more balance. People all over the world do live in harmony with nature and have a powerful connection with the manna of the land. Times are changing fast, and we need some ingenuity to reconnect with the land—lands that heal and are vital to our collective survival.
Last year, the killings of Mike Brown, Alex Nieto and Eric Garner, and other people of color (Trayvon Martin, Oscar Grant) in past years brought the realities of police brutality to the forefront, as also our nation’s divides. When Ferguson stepped up and was like, “We’re not taking this anymore, we demand that black lives matter! We want to change the institution, demonstrate and do what it takes!” I was so inspired to see young Black women and men stand up and fight, supported by allies from different cultures and backgrounds in the U.S. and beyond. It made me ask myself, what am I going to do? How do I help? What movement am I a part of? I want to help in a way that’s working in collaboration with others in a sacred and loving way. During Ferguson, I’ve been giving support by staying as conscious as possible and supporting friends who are frontline activists by providing outlets for creativity and healing in my home. I’ve also been teaching my kids about what’s going on, in a way that’s appropriate. But despite trying to stay grounded in loving actions, I started to get consumed with anger and even started to experience second-hand trauma from my activation and information downloading. I had to pause, meditate and ask myself, “Now what?” What do I do with all this information and lived experiences?
The one thing that was clear to me was that you can’t fight the damage our corrupt systems have produced with anger. There is a lot of pain and trauma across the board but we can heal by taking the time to rejuvenate and work together to make that happen. My own awareness and activation has heightened and a deep desire to learn more about what can bring more unity, cooperation and respect started to find its way into my creative work with Audiopharmacy. These are the beginnings of Seeds & Soul. Ultimately, the way to change what’s happening starts within us. That’s powerful, that sense of self-worth is powerful.
Ferrer: How has the creative process been for those involved, especially since there’s never been a festival like this before in the SF Bay Area? Tell us what it’s like to imagine a world that supports this idea of indigenous-led, women-led projects harnessing the power of music, performance art, nourishing food, and respectful cultural and knowledge exchange to strengthen bridges between indigenous peoples of the Bay Area?
Cruz: It’s a lot of talking, drawing and brainstorming; a lot of living to be able to think about these things actively, consciously and in the moment. It’s healthy team-work and collaboration. There are no rules but our expectations and standards are easily communicated and the team, consisting of Rulan Tangen, Javier Stell-Fresquez and myself, has been one of the most amazing collaborative experiences I have ever had. We are aligned in so many different things but our roots strongly intertwine in our belief in art, music, and dance as a way to share stories and activate people to bring the healing on.
With everything that’s happening in this world, it’s important to focus on healing ourselves. Supporting each other in this process will heal the collective. We are looking at what’s culturally appropriate. We will create an advisory board of people from this area with diverse indigenous identities and look to them for participation in decision-making on various aspects of the festival. The hope is to create a space to bring people together to talk and share—just as we’ve been able to do as two organizations/collectives—while having a good time, listening to music that elevates our vibrations and heals our souls, dancing to connect us to our indigenous bodies, eating good food and drinking good water. It’s also about creating a space for an open discussion about connecting the arts and diverse and indigenous cultures to policy and transformation.
I’m also drawn to and inspired by what’s been happening in Native American communities. As the original people of this land we now call America, they have a deep understanding of the cycles and rhythms of our planet, locally and globally. I feel like they’ve been trying to get the message out and let it be known that Mama Earth needs to be heard! We need to learn from their traditions and intentions, and work with them to create our solutions.
I also wanted to find a way to bridge all these social and environmental justice movements in the Bay Area. Communities are trying to cope with the injustice that’s happening. But it starts with finding a way to let go of those things that socially define you; to create space and be open to something that brings us all together. When we’re united, we can figure it out together.
I don’t want this event to be about making money. The intention is for it to be free and accessible to all, so that we can come together and strengthen our communities. We want to bring together ceremony, dance and music so different types of people can be a part of it. This is super important to our vision. Additionally, we want to create a space that honors and respects the indigenous people of the Bay Area on their terms. If we don’t watch out for our brothers and sisters who are rooted here, how can we expect to be taken care of by this land?
Ferrer: Tell me about the work of Dancing Earth and Audiopharmacy Prescriptions Collective in relation to the progress of Seeds & Soul. How do they together embody the vision of a San Francisco-based international art collective striving to build community, while invoking consciousness, empowerment and respect for life in every creative endeavor shared with the world? Or as an organization that supports indigenous dance and related arts, encouraging and revitalizing awareness of diversity through artistic expression for the wellness of all peoples?
Cruz: It’s not just about changing the mind, it’s also about changing our bodies. I would never call myself a dancer, but the experience of working with Dancing Earth during their summer indigenous dance intensive helped me realize that movement and dance is decolonization as well. I needed help to understand this. Also, seeing Rulan work cross-culturally with young native dancers, as well as those indigenous to other parts of the world, has been an eye opening experience for me. I feel like this work with Dancing Earth is teaching us how to decolonize the physical body and tap into the indigenous parts of ourselves. I can feel it resonate in my being. I learned so much from other dancers who have been doing dance their whole life and really know how to express themselves. Dancers are culture carriers. We carry our culture in our bodies and share it every day.
We also carry our intuitive healing powers in our songs, our stories and our creativity. That’s how my folks in Audiopharmacy are able to tie in healing and empowerment with self-expression. The music comes from our spirit and our hearts. Teao (Audiopharmacy producer/guitarist/turntablist) says, when he creates he starts with silence and taps into pure emotion that needs to be released. Lyricists express the realities of our world and offer solutions to enhance it in a song. Another special thing about Audiopharmacy is that it invites all kinds of people and sounds to participate in the music-making process, making our collective very diverse. Learning how to collaborate and co-create harmoniously is the foundation of our work, community and family.
Ferrer: Why do you think creating a space for this is so important? Creating your own thing that is separate from the system and doing something different from “fighting it” or “changing it?”
Cruz: Making something like this is living your own truth. For the past 10 years, I’ve been working on my own decolonization. It’s taking that long to believe in my intuition and my ability for ME to make a difference. And it’s really because I’ve been blessed to be able to experience inspiration every day from different beings and experiences, in different ways. I try and connect with my ancestors and see them and myself and the future generation of my family in a different way than my colonized mind did before. Believing in this change doesn’t happen overnight but if you want to make that change, happen it will. I want people to experience that. I think having these reflections and holding space for folks so they can create their own moments, ideas, conversations, visions, and dreams is the key.
This interview has been edited and condensed from the original. To learn more about Seeds and Soul, visit facebook.com/seedsandsoulfestival. Dancing Earth spins, stomps, and spirals into life on the world’s dancing grounds as a collective of intertribal Indigenous dance artists, under the leadership of internationally respected choreographer Rulan Tangen. Audiopharmacy Prescriptions Collective is an international art collective and live world hip-hop ensemble that has been making community-minded art and music together since 1994.